1990 |
Robert Moran |
Requiem: Chant du Cygne
written to complement the Mozart Requiem,
recorded by Mendelssohn Club on
the Argo label |
1990 |
Osvaldo Golijov |
Cantata de los Inocentes |
1991 |
Robert Moran |
Agnus Dei and Ite missa est
written to complete the text of Mozart’s unfinished Mass in C minor |
1991 |
Byung Chul Choi |
The Apostle Song
commissioned for the Korean multicultural program An American Seoul |
1991 |
Jan Krzywicki |
Poem
a choral vocalise inspired by the poetry of Robert Frost |
1992 |
Charles Fussell |
Specimen Days
written for the centenary of the birth of Walt Whitman recorded on the Koch International label |
1992 |
Jack Délano |
La Rosa y el Colibrí
written for the Hispanic multicultural program Songs of the New
World |
1993 |
Ricky Ian Gordon |
Towards Independence
music taken from the play Towards Independence, which premiered
at the American Music Theater Festival |
1993 |
Charles Fussell |
Invocation
Mendelssohn Club’s performance was featured on NPR’s First Art program |
1994 |
Robert Stern |
Returning the Song
written for the Chinese multicultural program Voices from the
Bamboo Grove |
1994 |
Cynthia Folio |
Touch the Angel’s Hand
text from Fra Giovanni’s famous letter of consolation |
1994 |
Kim D. Sherman |
A Winter Solstice Ritual
a processional written for the December holiday concerts |
1995 |
Robert Moran |
Winni ille Pu
a Latin version of the popular A. A. Milne stories |
1995 |
Jonathan B. Holland |
Symphony (of Light)
written for African-American multicultural program |
1995 |
Shui-Lung Ma |
America, Our Home
Written for a concert celebrating the 125th Anniversary of
Philadelphia’s Chinatown |
1995 |
Jan Krzywicki |
Lute Music
written for the multicultural holiday program Golden Voices of the
East |
1995 |
Donald St. Pierre |
Shepherd
based on an American folk-hymn |
1996 |
Roberto Sierra |
Lux Aeterna
written to complement the Brahms German Requiem |
1996 |
Donald St. Pierre |
Songs of Sweet Accord
written to be paired with Britten’s Ceremony of Carols |
1998 |
James Primosch |
Fire-Memory/River-Memory
based on the poetry of Denise Levertov |
1999 |
Jay Krush |
A Fanfare for the Chorus
processional written for Mendelssohn Club’s 125th Anniversary concert |
1999 |
Alice Parker |
Sing Now of Peace
written for Mendelssohn Club’s 125th Anniversary |
1999 |
Donald St. Pierre |
Ite missa est
written to be paired with Beethoven’s Mass in C Major |
2001 |
Donald St. Pierre |
Memento mori |
2002 |
Donald St. Pierre |
Love Came Down at Christmas
taken from the poetry of Christina Rossetti |
2003 |
Charles Fussell |
High Bridge
based on the poetry of Hart Crane |
2003 |
Donald St. Pierre |
Billings with Brass
arrangements of hymns by William Billings |
2004 |
Jay Krush |
Fanfare Felix
processional written for Mendelssohn Club’s 130th Anniversary concert |
2004 |
Donald St. Pierre |
Agnus Dei
written to complete the text of Mozart’s unfinished Mass in C minor |
2005 |
Kim D. Sherman |
The Happiest and Unhappiest of Men
text taken from the writings of Beethoven |
2005 |
Donald St. Pierre |
A New Song
based on a Norwegian folk hymn |
2006 |
Andrea Clearfield |
The Golem Psalms
based on the legend of the Golem of Prague |
2006 |
Jan Krzywicki |
Fortuna
written to be paired with Orff’s Carmina Burana |
2006 |
Donald St. Pierre |
little tree
taken from a Christmas poem by e. e. cummings |
2007 |
Donald St. Pierre |
Caído se la ha un Clavel / A Carnation Has Fallen
taken from a Christmas poem by Luis de Góngora |
2008 |
Maurice Wright |
Vox Humana
for chorus and electroacoustic sound |
